M
S Subbulakshmi the definitive biography by
T J S George is a fine example of how diligent research on an
interesting personality can create magic. M S was born to a Devdasi.
There are disputes as to who was
her father- a
famous musician or a lawyer? She plainly rejected her mother’s
proposal of she being comfort of a wealthy chettiar. This is when
much married Sadasivam entered her life. The two started living
together and married on his wife’s demise. It was his dexterous
hand that took M S’s career to unprecedented heights.
However that doesn’t rob
away credit from her mother who single handedly brought her talent up
to the rasikas of Madras.
It
would have been easier to confine this book to M S alone. But the
author goes an extra-mile and tells us about the origin of Carnatic
music, the divide between Carnatic and Hindustani music. He also
introduces us to contemporaries of M S, political clout of Sadasivam,
socio-political scenario of the nation, cinema and many other things.
Even the lives of passing characters like MS’s sister and
Sadasivam’s wife too are very well articulated. You are able to get
into the psyche of these men and women.
The
author has filled this book with great nuggets of information. He
tells us how Violin, a western instrument, became an integral part of
Carnatic music. It tells us how M S who was drawn to Carnatic music
devoted herself to the cause of Tamil isai. Her
failed affair with GNB finds a mention too. For
the first time I came to know the complete name of M S. It is Madurai
Shanmmugavadivu Subbalakshmi. The tale of how dassi attam was renamed
Bharatnatyam, that too quite recently is equally
interesting.
The
author says that conformism was usually deprecated as an
inhibitor of initiative and a tranquillizer of the mind. But in
Subbulakshmi’s case it proved a pillar of strength. The advantage
of a life circumscribed by tradition was that it left no gaps to be
filled. One knew what had to be done, how to do it and who would do
it. There was no room for loneliness; there was no lack of direction.
He further says that
in musical terms, she was not among the maestros in the front row. If
there was anything distinctive about her style it was that she sang
heart to heart.
There
is a submissive wife and a dominant husband, but both compliment each
other perfectly. This book is as much about Sadasivam as it is about
M S. This book recreates an entire era in front of your eyes. It
entertains you, encourages you and even makes your eyes moist. This
book is certainly not to be missed.
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