Leap
of faith does what Hum Aap ke Hain Kaun and DDLJ did to the movies.
It pulls out a big fat Indian (Haven't we learnt from the movies that
all Indian weddings mean Punjabi weddings?) with all the seven days
elaborate marriage cermonies including the sangeet, mehandi, milni. To add
more flavour here the bride is German.
The
Punjabi groom has an old grandmother who is against the wedding. She
does not want her grandson to marry a firangan. Though everybody
respects her, no body is willing to accept her take on her grandson's
marriage with a German. In one of the ceremonies the music system
gets blown up. As a result the groom's father's turban catches fire.
In another instance the would be German bride hurts herself while
trying to wear glass bangles. Finally the ornaments which have been
handed over from one generation to another and which the eldest
daughter-in-law is supposed to get in her marriage, get stolen. The
devious Dadi who has been helpless in preventing her grandson getting
married to a foreigner tries to convince everyone that all these
incidents are bad omens and God is giving them signals to stop the
marriage. But no body listens to her.
Needless
to say the couple gets married inspite of all the odds. But do they
get the stolen jewellery back? Who is the thief? These questions will
be answered only when you read Leap of Faith which is undoubtedly one
of the finest books written in the recent times.
Yes
we have had exotic weddings involving even the foreign nationals in
our books, especially in the romance genre. But the situations and
instances in those books were predictable and at times even banal and
childish. The characters were stereotyped and they lacked any depth.
Leap
of faith comes up with natural dialogues and equally natural reactions
to them. The book is full of conversations and interactions which we
can absolutely relate to. They come directly from the real life into
the printed matter in the book. I guess the author, who herself is
a German married to a Punjabi, has picked lot of incidents from her
real life and weaved characters around them.
There
are minor misunderstandings. There are apprehensions. There are
celebrations. The author does not waste a single line in unnecessary
descriptions. The flow of the novel is commendable. The way she
weaves the story around the mundane daily life instances is simply
brilliant. She choses not to bore her readers with the elaborate
descriptions of the Indian customs which they already know.
This is an extended Punjabi family. Punjabi men and women have the same names. That creates confusion at some places as the writer does not address the women characters with the suffix kaur. The thread of Preeti's divorce is not taken to its end. I felt that the line on page no. 146 “she manages to response” is incorrect. It should have been “she manages to respond”
The
writer manages to weave the plot very subtly, very softly. This was
indeed a challenge given that the plot itself is wafer thin. But
still she manages to keep you engaged and brings out the novel very
well.
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