Chetan
Bhagat’s much anticipated One Indian Girl is a love triangle. The
protagonist Radhika isn’t fair. She doesn’t have an hour glass
figure either. She is a nerd. But
as
an associate with the Goldman Sachs
New York office,
she earns 2,70,000 dollars a year. When converted to Indian currency
it is 1 crore and 50 lakh rupees. Her mother is worried about her
marriage. After all who would marry a girl who isn’t fair,
beautiful and homely, and more particularly earns
a lot
more than the boy.
Oblivious
to her mother, Radhika has a live-in boyfriend Debashish
Sen aka Debu.
But he earns much less than her. He
feels insecure and an Abhimaan
made into a book unfolds. Debu tells Radhika that a career oriented
girl like her wouldn’t make a good mother. He
walks out of the relationship. A
hurt Radhika decides to resign from the job. Her superiors advise her
against it and offer to transfer her to Hong
Kong Office. She takes up the offer as that gives
her an opportunity to go away from New York where every nook and
corner reminds her of Deb.
Neel
Gupta is a partner at the Special Situations Group in the
Hong Kong office. He is twenty years older to Radhika, married and a
father
of two. Radhika and Neel get attracted to each other. They have an
affair. Soon Radhika realizes that this relationship holds no future.
She tells Neel that she too wants a marriage and kids. Neel says that
these futile things are not meant for a career oriented girl like
Radhika and she should better concentrate on her career. Even this
relation doesn’t work. Again Radhika resigns and again she is
offered a transfer instead of resignation. She accepts it and lands
in London.
Radhika’s
mother pesters her to have a look at the proposals which she has
shortlisted for her. After much persuasion she agrees to marry
Brijesh Gulati who works for Facebook. They have a destination
wedding at Goa.
Both
Deb and Neel gate crash her marriage ceremony. While Deb has realized
his mistake, Neel too has divorced his wife. Both of them want to
marry Radhika. Radhika refuses to marry either of them. She even
cancels her marriage with Brijesh. She meets Brijesh after a couple
of months and realizes that he is the man who accepts her the way she
is. The novel ends here.
This
is for the first time that Chetan has written in the voice of a woman
and he does a decent job. His Radhika isn’t that dress-me-up kind
of baby doll. Yes, she tries to fit, albeit unsuccessfully, into that
image. Lines
like why
aren’t white-skinned people called rice-ish
and
my
feminism
didn’t go anywhere, my masculinity did,
make the novel an interesting read.
Radhika
shouting at her mother and her mother telling her that she call
whenever, end whenever and shout whenever for she is her mother
depicts the dynamics of mother-child relationship very well. Chetan
captures such moments very beautifully. In another scene when Radhika
asks Deb to switch off the TV, he just
mutes
it. Also
the scene where the air-hostess serves Radhika, she feels that this
how wives serve their husbands and yearns to have a wife is crafted
very well.
What
I didn’t like about the book is the fat Punjabi wedding backdrop.
We have seen it in numerous bollywood films and even a few books. Why
can’t we have a wedding from any other State? Also at places the
book abruptly enters into a different territory. The transition
between the three stories should have been smoother.
But
yes the book brings the dilemma of the Indian girl to the fore.
Though it tactfully refrains from offering any solution. At one place
the protagonist says that you go to see a much hyped Salman Khan or
Shahrukh Khan movie. The movie isn’t bad, but it isn’t great
either. The same stands true about One Indian girl.