Rajasthan
is very colourful and vibrant. It has always pulled me towards it.
Such has been its impact. But I feel even within Rajasthan there are
different colours of different regions. One such colour is Bhuj. I
visited Bhuj last year and it had a great impact upon me, especially
the handicrafts of this region. All of us know that Bhuj is well
known of its havelis and its rich heritage. The designs of Bhuj are
very unique to this land. You will find the worlds most enchanting
creations in print, textile and leather work here.
I
first visited Parakar Vilas. This is a small village in Bhuj
district. Tribes that migrated from Sindh settled here. The villagers
here are all artisans. They are experts in creating the most
beautiful embroidery designs. The traditional embroidery is
classified in four styles – soof, khaarek, rabari and paako. Soof
also called sur it means triangle in the local language. It is one of
the most difficult types of embroidery. In this style patterns are
not traced beforehand on to the fabric. The women, who too are expert
artisans, imagine the designs in their heads. They count the threads
of warp and weft to ensure symmetry. Once they have counted it they
stitch it.
Kharrek
embroidery is largely comprising of geometrical appearances. These
appearances are colourful squares of threads which are stained in
colours. Stitches of these colourful threads fill the entire fabric.
The rabari style of embroidery which again in indigenous to this
region is unique too. It uses the chain stitch to outline the
pattern. Patterns in this style are liberally embellished with
mirrors.
Now
coming to the paako style of embroidery. It literally means mean ripe
or ready. In this style the patterns are first drawn on to the
fabric. Now these drawings are not made with pencil, but with the
help of a special kind of mud. They are then filled with tight chain
stitches and satin stitches. The style is called ripe or ready
because the cloth may fade away, thin out and fall away. But the
embroidery will remain intact.
In
all these types of embroidery the motifs are flowers especially the
lotus and animals. Amongst the animals in Rajasthan’s art elephant,
horse and camels are the most popular. The aforesaid embroidery
styles are no exception to this rule.
These
embroidery styles had a deep impact upon me. I could not believe that
those rustic hands could weave so beautiful patterns. I felt that
there was magic in the hands of these weavers.
What
made me even happier was the fact that some non-governmental
organizations are helping these indigenous artisans. They are
providing them a market place for their work. While doing so they are
preserving our rich heritage and culture.
Such
was the impact of these artisans and the patronage they receive that
once I returned home, I too started a small organization to promote
the local artisans. This is a small attempt on my part to preserve
the local culture. All this is the result of impact of Bhuj and its
artisans.
This
blog post is inspired by the blogging marathon hosted on IndiBlogger
for the launch of the #Fantastico
Zica from Tata Motors. You can apply for a test
drive of the hatchback Zica today.
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